If constructing is inventing, when rehabilitating we take the past as a support for the invention.
The projects presented in this issue of the journal EN BLANCO are characterised by the condition of mediating between a historical past and the present. In our case, the existing buildings come from very different periods: from the Roman Antiquity at Merida, in the vicinity of the Temple of Diana, up to the 19th century at the Thalia Theatre in Lisbon and at the industrial architecture of Utebo’s Mill.
Collection En Blanco, 2016
Pages 90
Language Spanish, English
EB 21- Restoring with Concrete
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If constructing is inventing, when rehabilitating we take the past as a support for the invention.
The projects presented in this issue of the journal EN BLANCO are characterised by the condition of mediating between a historical past and the present. In our case, the existing buildings come from very different periods: from the Roman Antiquity at Merida, in the vicinity of the Temple of Diana, up to the 19th century at the Thalia Theatre in Lisbon and at the industrial architecture of Utebo’s Mill.
Collection En Blanco, 2016
Pages 90
Language Spanish, English
Between them, the 18th century appears at the architecture of the Franciscan convent of Santpedor.
The recovery of these buildings, located on different contexts of the Iberian Peninsula, has required an update of their original programs. Thus the Church of Sant Francesc becomes an auditorium and the Thalia Theatre, a multifunctional space where the remains of the ancient theatre will be part of the new show –as mentioned by the authors in the project report. Perhaps the greatest functional transformation is the one at the Mill in Utebo. It evolves from a producing space to a container, assuming the difficult task of bringing culture to the neighbours.
With a variety of types and of times, the previous projects establish a relationship with contemporaneity, using concrete as a material. Old and new are clearly differentiated from the various constructive systems that the technology of concrete allows to develop.
Contents
Restoring with Concrete
Maite Palomares y Ana Portalés
Interview to Juan Carlos Arnuncio. Reflections on the Spanish Contemporary art Museum in Valladolid.
Luis Bosch Roig
PERIMETER BUILDING AND ADAPTATION OF THE SURROUNDINGS OF THE ROMAN TEMPLE OF DIANA. IN MERIDA, BADAJOZ. SPAIN
José María Sánchez García
AUDITORIUM IN THE CHURCH OF SANT FRANCESC CONVENT IN SANTPEDOR, BARCELONA. SPAIN
David Closes
THALIA THEATRE IN LISBON. PORTUGAL
Gonçalo Byrne Arquitectos | Barbas Lopes Arquitectos
“THE MILL” CULTURAL CENTRE IN UTEBO, ZARAGOZA. SPAIN
Iñaki Alday, Margarita Jover Biboum
Intervention on the Chapel of the Counts of Fuensaldaña. Study of a Model Intervention Between The Old And The New.
Luis Bosch Roig, Valeria Marcenac, Ignacio Bosch Reig
Víctor Eusa’s Basilica of ‘Our Lady Of The Puy’, a Work in the Religious Legacy of Otto Bartning and Dominikus Böhm.
Andrés Caballero Lobera
Towards the zero degree of architecture. The Pantheon in reinforced concrete.
Eduardo Blanes
Ideal Object - Empirical Object. A Sublimated vision of functionalism in Mart Stam.
Pablo López Martín
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