This monograph collects the work of the Sevillian architect Guillermo Vázquez Consuegra over a period a bit longer than a decade, from 1998 to 2010.
It is a generous and intense monograph that reflects the enormous production of this architect of international prestige, in a wide range of works varied by their program as well as the scale or the geographical location: from Vigo to Cadiz, from Cartagena to Toledo through Valencia , from Genoa to Poland and back to Madrid.
Author Guillermo Vázquez Consuegra
Collection TC Cuadernos, 2010
Pages 594
Languages Spanish, English
Format 21 x 29,5 cm, soft cover
TC 92 / 93- Guillermo Vázquez Consuegra. Architecture
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This monograph collects the work of the Sevillian architect Guillermo Vázquez Consuegra over a period a bit longer than a decade, from 1998 to 2010.
It is a generous and intense monograph that reflects the enormous production of this architect of international prestige, in a wide range of works varied by their program as well as the scale or the geographical location: from Vigo to Cadiz, from Cartagena to Toledo through Valencia , from Genoa to Poland and back to Madrid.
Author Guillermo Vázquez Consuegra
Collection TC Cuadernos, 2010
Pages 594
Languages Spanish, English
Format 21 x 29,5 cm, soft cover
Guillermo Vázquez Consuegra has achieved something that greatly exceeds the knowledge of the right way of doing or the virtues of well-done and well-constructed architecture.
When the precision of words seeks a beauty that transcends the rigor of mere description we approach the world of poetry. This search is present in the way of constructing and characterizing the architecture that Guillermo Vázquez offers us in all his works.
Materials meet each other in a natural, simple way, with an accuracy that doesn’t need to search for banal difficulty. It is a natural and elegant precision built using the rhyme of three subtle words, three words that only the one who has ever intended to find knows how elusive they are. The dictionary of elegance cannot be found on any library, it is written inside oneself with time and accurate gaze and reflection on the work.
Just those three words, these three materials, these three ideas, are capable of reconstructing the sensation of a poetic seduction regarding the value of an unrevealed detail.
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