The 4th Pioneers of Modern Spanish Architecture National Congress, organized by the Alejandro de la Sota Foundation under the title “Architecture as Inclusive Work”, draws on the concept of the Gesamtkunstwerk or total work of art: the analysis of projects in which the architect imagined, designed and incorporated not only strictly architectural elements but also those of other disciplines, at the service of the architecture as a whole — not equipment or decoration added later, but essential components inseparable from the work itself.
The thirteen selected papers are grouped into four sessions: the first, moderated by Carmen Díez Medina, presents works by Miguel Fisac, José Antonio Corrales and Fernando Higueras in which the environment and landscape play an integrating role; the second, moderated by Carlos Quintáns, addresses works by Gerardo Cuadra, Fray Coello de Portugal, Álvarez Castelao and Vaquero Palacios incorporating elements from other artistic disciplines; the third, moderated by Juan Navarro Baldeweg, reflects on García de Paredes, De la Sota and Garrigues; and the fourth, moderated by Enrique Granell, analyses three magnificent homes by Sert, Coderch and Moragas as examples of furniture and objects as inclusive elements of domestic space.
COMMUNICATIONS
CENTRO DE FORMACIÓN DEL PROFESORADO BY MIGUEL FISAC.
ARCHITECTURE AS A UNITARY CONCEPT.
Ramón Vicente Díaz del Campo Martín Mantero. U. Castilla-La Mancha
JOSÉ ANTONIO CORRALES. SOTOGRANDE PARADOR, 1963-65. COMPLETE X-RAY.
Ricardo Sánchez Lampreave. EIA U. Zaragoza
THE INTEGRATION OF THE ARTS AT LAS SALINAS HOTEL.
Jon Arcaraz Puntonet. ETSA U. Navarra
DEBATE WITH AUTHORS
Article about the debate
THOUGHTS ON THE CONCEPT OF INCLUSIVE ARCHITECTURE.
Carmen Díez Medina
COMMUNICATIONS
ART SPACE. SPIRITUAL SPACE.
THE TEMPLE OF SANTIAGO IN LA UNIÓN (CLAVIJO, LA RIOJA). GERARDO CUADRA, 1965-1967.
Irene Fernández Bayo y Juan Hevia Ochoa de Echagüen. U. CEU, Madrid
THE VIRGEN DEL CAMINO SANCTUARY.
A COMPREHENSIVE BODY OF WORK BY FRAY COELLO DE PORTUGAL.
Alejandro Vírseda Aizpún. ETSA UP Madrid
FROM ROCK TO LIGHT. THE ARCHITECTURE OF ALVAREZ CASTELAO IN THE
HIDROPOWER STATION OF SILVÓN, IN ASTURIAS.
Gerardo Arancón Álvarez. ETSA U. Valladolid
THE PROAZA HYDRAULIC POWER STATION, JOAQUÍN VAQUERO PALACIOS, 1964.
ABSTRACT PLASTIC ART IN INDUSTRIAL ARCHITECTURE.
María Pura Moreno Moreno y Juan Pedro Sanz Alarcón. U. Cartagena, Murcia.
DEBATE WITH AUTHORS
Article about the debate
BALANCE
Carlos Quintáns
COMMUNICATIONS
THE TWENTY-FOUR DISPLAY CASES OF THE MANUEL DE FALLA EXHIBITION.
MONASTERY OF SAN JERÓNIMO IN GRANADA.
Carmen Moreno Álvarez. ETSA U. Granada
TELECOMMUNICATIONS BUILDING OF LEON. INDUSTRIAL DAINTINESS.
Manuel Amable Romero Pérez. ETSA U. A Coruña
THE ART OF DISCRETION. CASA DE SUECIA IN MADRID
Ismael Amarouch García. ETSA UP Madrid
DEBATE WITH AUTHORS
Article about the debate
LARGE AND SMALL, INDIVISIBLE.
Juan Navarro Baldeweg
COMMUNICATIONS
LIVING ART. THE ARTISTIC DOMESTICITY OF SERT’S HOUSE IN CAMBRIDGE.
Carlos Santamarina-Macho. ETSA U. Valladolid
ARCHITECTURES OF AN INTERIOR WORLD. HOUSE OF THE PAINTER, TÀPIES.
JOSÉ ANTONIO CODERCH.
Iñaki Begiristain Mitxelena y Íñigo García Odiaga. ETSA San Sebastián
DOMESTIC GADGET. THE HOME OF THE ARCHITECT ANTONI DE MORAGAS.
Roger Such Sanmartín. ETSA Barcelona, UPC
DEBATE WITH AUTHORS
Article about the debate
THE CONFINES OF THE HOUSE
Enrique Granell
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